Vuzh Music Blog

C. Reider has submitted a few tracks for some freely downloadable compilations:
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Gone in 60 Seconds— This is a collection of tracks, all of which are only one minute long. Brevity is good. I haven’t had a chance to play through all the tracks yet, but there are many good names, such as PBK, Pavonine, Big City Orchestra, ENE… I submitted a one minute long track by Drone Forest.
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No-R-Mal II — The follow up to the incredible compilation of a few years ago is longer and more incredible. This is SEVEN HOURS of underground goodness, right here. Burn this to an mp3 CDr and you’ve got enough underground goodness to last through an entire work-day. It could be argued that in the underground, there is a quantitative glut of musicians, but this compilation proves that while there is a high quantity, there is plenty of QUALITY out there too. I recommend this and its predecessor as perfect starters for the new fan of obscure music. I contributed an exclusive track called “Will Fall”. Many friends of mine, and artists that I respect populate this stellar comp.

You know how you’re like a netlabel and stuff, and you release some new recording, and you can see from your stats that only one guy listened to it? I might have been that guy!
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Here were my favorite netlabel releases of 2009, all are freely downloadable, so maybe YOU can be hit number TWO on someone’s statcounter!
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1. Gurdonark – Seven Virtues
At a time when it would have been much more fashionable to put out an album dedicated to the seven deadly sins featuring dark and gloomy doom sounds, this charming collection of light musical fancies celebrates what’s to be admired about the human spirit. (some of Gurdonark’s thoughts on making this album)
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2. Hannah M.G. Shapero (a.k.a. Altocumulus) – My Name is Marietta Cashman
Not many of us can claim to have recorded experimental music on a Buchla modular synthesizer in the late sixties when merely an adventurous teenager, but Hannah Shapero can. Culled from forgotten tape reels, unheard for 40 years, this treasure of naive noodling sounds fresh and innocent, a stark contrast to modern noodles by hipster cognoscenti. At the moment the accompanying photo of Hannah was taken in 1970, in her futuristic silver jumpsuit and glasses in front of the synth modules, she looks like she may have been the coolest nerdy girl in the universe. Modern Noodles by Hipster Cognoscenti would make a damned fine band name.
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3. Mystified – Collusion (with PBK, the Implicit Order, KR-Ohm & Kwalijk) – A collection of guys I admire working with sound sources provided by another guy I admire. This is a collection of the kinds of sounds I love, loopy and squiggly and gritty and crunchy. Quietnoise of the highest order!
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4. Various Artists – No-R-Mal
Oh, hullo! What’s this? FIVE FUCKING HOURS of top notch weirdness from 50 underground artists? I keep coming back to this and finding new gems all the time. Stunning.
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5. Chubby Wolf – Meandering Pupa
A brief collection of smooth ambience, dancing slowly, exactly in-between light and dark. The prolific artist behind Chubby Wolf, Dani Baquet-Long, (also one half of celebrated ambient artists Celer) passed away in July, suddenly, at the age of 26. The entire underground network was saddened by the loss.
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6. Pavonine – Pavonine
Dark, vaporous, mysterious, alluring? Sure, all that and more.
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7. Dexp Lab – Sectors LP
A fine collision of rhythm and noise.
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8. PBK – Asmus Sources (plus pretty much everything else on soundgenetic)
I have to admit, somewhat embarrassedly, that when I bought the Asmus Tietchens / PBK collaboration from Realization way back in the early nineties, it didn’t entirely gel for me. I loved both artists apart, but this album just didn’t quite get there. This year, PBK released the sound source files that he originally sent to Asmus for their collaboration, and upon hearing these imagination-pricking sounds, I decided a re-evaluation of the actual collaboration was in order, and now I find that it all makes sense. I’m not at all sure what I was thinking back in the 90s. I may simply not have been mature enough to get it! Now, I love both the collab, and these raw, stripped down sources equally. This is a rare chance to compare and contrast the working methods of two great minds in abstract music.
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9. Olifaunt – Three Crows Become Four
Slow growing drone ambient with stringy textures and melancholy tones.
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10. Zondagmorgen – La Fin du Monde
So apparently the end of the world is slow, blurred and extremely melancholy. The world ends with us gazing at our shoes. Alright then.
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Don’t forget to also check out my blog post about all the stuff I did this decade, including my own big project for 2009, the Electret Quintet.

One of my favorite releases of the year has been put out by Mystified on the Clinical Archives netlabel.
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Mystified’s “Collusion” collects the work of three of my friends and peers into one densely packed work of abstract quietnoise. I could be subjected to criticism for being biased in this recommendation, because my much admired friends and collaborators Phillip from PBK and Anthony from the Implicit Order, and Patrick from Kwalijk (also known as Desohll, with whom I collaborated on a recent release of darkambient) have contributed some remixes of music by my equally admired friend Thomas from Mystified for this release. Given the participants, one could almost expect nothing but the finest of challenging soundwork that exists on the quiet and calming edge of noise, that weird hybrid area that has been described elsewhere as “noiseambient”. Perhaps I am biased, or perhaps I have managed to make the acquaintances of several extremely talented composers on the outskirts of musical exploration. I tend to think the latter is more the case.
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On “Collusion” you will find an admirably cohesive set of gritty, yet calming collection of music that treads the border between ambient music, with its calming background qualities, and noise music with it’s upfront challenging qualities.
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Also contributing some remixes to this collection is KR-Ohm whom I don’t know personally, but who holds their own in very respectable company. For that she/he gains my respect.
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It’s nearly a perfect music, this.
I could not recommend it more.
http://www.archive.org/details/ca308_m

I’ve just found a few recordings by an interesting underground artist named Tiago Morgado. He runs the netlabel XS Records from his homebase in Portugal.
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His release 363 features some long avant-garde flavoured improvisations, with spacey analogue synth treatments burbling and subdued percussive elements in the background.
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The far more frantic Algorithmic Chaos EP, released under the alias DNP X-Citer, features angular compositions of viola phrases paired with with abstract skittering percussion and electronic noises pointing to a clear lineage with Autechre’s more complex work. It’s worth a listen.
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The new C. Reider recording “Steam Inspector” will be previewed tonight (Saturday August 22) on ‘Not the Normal Shit’ radio.
Most of you will be sound asleep, since in the US, the show airs smackdab in the middle of the night, but just in case check here for show times: http://tiny.cc/6EDbw
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Tune in early, because the preview will be in the pre-show (and so will not be part of the archived podcast, if you want to hear it, you have to hear it when it airs!)
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You can tune in by going to the Stillstream web page, where they have a streaming player.
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If you can’t tune in, the release is scheduled for release on September 7 on the Just Not Normal netlabel.

The milestone 4 CD-length compilation of music from netlabel underground artists put together by the Just Not Normal netlabel is now available for free download. It’s HUGE in every way. It promises to be an extremely useful introduction to a large amount of unknown artists.
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I appear on CD#3 with an exclusive track called “Captcha upgrade stickyglands“, which samples from various captcha scripts found around the internet.
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Also on CD#3 are a few friends and colleagues, such as Gurdonark and Mystified, who both appear on Long Defeat Variations
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I encourage you to download No-R-Mal, the fiftieth release on the Just Not Normal netlabel.

a.k.a. reviews.
Here’s some experimental sound stuff I’ve found around the internet that I enjoyed, and you can too.
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Dexp Lab – Sectors LP … Retro-futurist ambiance that frequently veers into dissonant noise-ambient sound clusters and occasionally settles into a groove that hints at head nod territory. For me, the best music merely ‘hints’ rather than ‘says’. Like this a lot.
Free. 320 / VBR / OGG. Rus Zud netlabel.
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Pavonine – Pavonine … Soft industrial drone work, reminiscent, to me, of the Hafler Trio’s quieter music, but more explicitly ‘ambient’. Very atmospheric and admirably restrained. “Rassamblement des choses qui portent malheur” has a subdued musical theme that is so understated and melancholy that it could be heartbreaking under the right circumstances. Completely lovely.
Free. 320 kbps mp3. Webbed Hand Records
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Hannah M.G. Shapero (Altocumulus) – My Name is Marietta Cashman … consisting of recordings from the late 1960s of a teenage girl experimenting with the Buchla 100 modular synthesizer. From the descriptive text: “The sounds on this recording, unheard for 40 years, are a compilation of assorted electronic effects which were thrown together without much planning, rather as a storehouse than as a finished piece. They date from 1968 and 1969. The modern aesthetic of patchwork and accidental meaning, which was only at its beginning in 1968, has made this into “listenable” material.” I doubt I could make a better description than that, you will either like that or not. For me it’s pretty great.
Free. 320kbps mp3. Just Not Normal netlabel.

I thought I’d pass along a recommendation of an underground recording I’ve just enjoyed. Olifaunt‘s newest album “Three Crows Become Four” (love that title!) is an autumnal set of churning bass drones, reminiscent of Crib (wow, Crib is important enough that it has a Wikipedia entry! If only I were so important! Alas I’m just not “notable”)… also recalling prime Maeror Tri.
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I reckon this project will find its way onto a label like Kranky or Infraction sooner than later, (definitely sooner than Drone Forest) so go check them out now and you can say you were there before the poseurs!
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Olifaunt has given this album to the world for free, at the Internet Archive (link), and/or at Last.FM (link).

I’ve just listened to a netlabel release I’d like to recommend.
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Hedningarna is a band I’d previously never heard of, that performs Scandinavian folk music on instruments such as hurdy-gurdy, Swedish bagpipes, lute, fiddle and several custom instruments.
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DJ Nikto has taken their recordings and run loops through delays, reverbs, digital smears, stuttering pauses and filter sweeps. Simple enough in concept, but the whole is very effective, it reminds me a lot in spirit and execution of some of the more ambient releases by the hallowed Muslimgauze.
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The album is available for free from the venerable, admired Russian netlabel Top 40. There are streaming and downloading options at the link below.
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DJ Nikto remixes Hedningarna

A few quick nods to some things I’ve heard around the ‘net lately:
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C.P. McDill – Introspection
This venerable underground artist has put out a lot of good work, this one is striking for its character. This Eno-esque ambient piece presents a continuously rolling tone cloud which constantly shifts between tension and release and often drifting into really serious dissonance. The choices of tones occasionally seems completely random, and at others it’s more composed. The piece seems to sit very uneasily with itself, and that makes listening to it a very curious and captivating experience… not something one can always say about an explicitly ambient work.
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Zieltogend – Myst II
More deep, dark drones from the man behind Desohll and Norss. This particular piece remixes some works by Mystified. I really love this kind of thing, when one underground artist pays tribute to another by remixing, especially in this case where the artist clearly has a love for the work he is appropriating. This guy’s drones are quality stuff.
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Shoeb Ahmad – Piano Music
Originally released as a 3″ CD that appears to now be sold out, you can still listen to this very enjoyable bunch of experimental piano music through Last.FM, so I’ve linked to the release’s page at that site. Ahmad runs his piano through Max/MSP, yielding a mixed sound palette, sometimes stark and pretty sound fields to accompany his minimalist playing, and at other times, the piano is seemingly lost in milky resonant distortion. I’d like to see Markus Brösel move in this kind of direction.