Despite being random, I consider it representative of my way to see the work with sound, because everything I program is aimed at automation and randomness. Contrary to what we had expected, stylistic coherence has emerged (or so I think). When I try to reach the ultimate motivation to make noise, I realize that this is a sort of challenge: to what extent I am able to eliminate me myself. It may seem simple, but it is very difficult, is a work that began with Cage (well, actually this idea came from before) and I think nobody has done it. I can not even imagine how!